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 SPEEDY WEST

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MessageSujet: SPEEDY WEST   SPEEDY WEST EmptyVen 27 Juin 2008, 23:09

SPEEDY WEST SpWestHDR


SPEEDY WEST SpWestMerle
  • Born Wesley W. West January 25, 1924 in Springfield MO, to parents, Finley G. and Sue Arthur West. Finley was a linotype operator at a gospel publishing company, and in his spare time, played guitar and sang gospel songs.
  • At age 9, Wesley became interested in music because of his friends and neighbors, the Cline's boys, three brothers. One played steel guitar, another banjo and the other played guitar. The boys' parents suggested to Wesley's father, that he should buy him an inexpensive $12 Hawaiian guitar. Wesley spent all the time he could learning to play the instrument with the help of the Cline's as well as his father.
  • Wesley's interest in music continued to grow and he yearned for a more expensive instrument, namely, a National steel-bodied resonator model costing $125, which the West family could not afford. In order to give Welsey what he so desperately wanted, his father sold his own guitar in order to buy the National. In the 9th grade he won a prize in a school amateur contest.

    By the late 1930's Wesley spent countless hours practicing and listening to steel players like Leon McAuliffe. He also admired the talents of Brother Oswald Kirby, Little Roy Wiggins, Billy Robinson, Jerry Byrd, and several other Opry stars.
  • In 1941, at age 17, Wesley married his first wife, Opal Mae. They lived in St. Louis for a year, where Wesley worked at a factory that made machine gun bullets on behalf of the war effort. He played music as much as possible with a friend, Cleat Jones.
  • Approximately 1942, Wesley and Opal moved to Strafford, MO, near Springfield, where they lived on a 200-acre farm owned by Wesley's father. Farming was vital to the war effort. One of their main crops was tomatoes. He also milked up to 33 cows daily.
  • After the war ended, Wesley continued to farm but found more time to play music and develop his skills.
  • In 1946, a Grand Ole Opry tent show came to Springfield starring Eddy Arnold and Minnie Pearl. Inspired by watching and listening to Arnold's steel guitar player, Little Roy Wiggins, Wesley began to think about pursuing a musical career.
  • Wesley began to play the steel locally on jam sessions that were broadcast over KWTO radio in Springfield, and played with friends and other local musicians at every opportunity that came along. A major turning point occurred when a sailor, who was passing through town, told Wesley about the wonderful musical opportunities available in Southern California. He told him he could make as much as $25 a night, which sounded like a gold mine just waiting for him.
  • Wesley was playing at a jam session sponsored by KWTO at an event called a pie social. Slim Wilson, a local country music personality, introduced Wesley to the audience as "Speedy West", a name which he would later adopt.
  • Partly because of the influence of Little Roy Wiggins' style of playing, Wesley bought a huge, hand-carved, 7-string doubleneck steel from an individual, which he paid off in installments.

    SPEEDY WEST SpWestSteelYnocoat
  • On June 13, 1946, with only $150 in his pocket, Speedy and his wife and their 2-1/2 year old son, Donnie, packed all they could into a 1936 Lincoln Zephyr and headed for Southern California. Following several breakdowns, they arrived in Los Angeles 3 days later.
  • During the first few months after arriving in Los angeles, Speedy worked during the day at a dry cleaners. After working all day he played steel guitar at night, starting out with a group called the Missouri Wranglers, all part-time musicians, who played the VFW Hall in Southgate.
  • Speedy found a new steel guitar idol - Joaquin Murphy, who played with the Spade Cooley band. Speedy soon adopted another idol by the name of Noel Boggs, who played in Hank Penny's band, as well as the Bob Wills and Cooley bands.
  • Speedy admired Joaquin so much that he attempted to copy his style and then realized that it would be more beneficial to him to develop his own style rather than copy Joaquin's.
  • Speedy worked as much as he could at night and on weekends, playing at local bars, such as, Murphy's and the nearby Fargo Club and the four Aces.
  • In 1947, Tex Williams auditioned Speedy to replace Joaquin Murphey, who had left the band. Although Speedy didn't get the job, he fondly remembered how Tex encouraged him to sit in with the band, and to keep pursuing his ambition. In fact, sometime later, Tex offered him a job, which he did not accept because of other commitments.
  • In 1947, Speedy bought an amp created by Leo Fender, who owned a radio shop in Fullerton, CA. In addition to amplifiers, Leo also designed and built steel guitars. This amp was called Fender's Professional Model, which had an all-wood body and handle with chrome trim on the front grille.
  • Now equipped with a new amp, Speedy felt the necessity of having a more up-to-date steel to replace the homemade electric steel he brought from Missouri. Paul Bigsby from Downey, CA, a pattern maker, built Speedy a pedal steel. Bigsby had also built a 3-neck non-pedal steel for Joaquin Murphey. Speedy asked for a 3-neck steel with four foot pedals, and Bigsby went to work building it.
  • Speedy took delivery of his Bigsby pedal steel on February 8, 1948. The four pedals were side by side, a design that would later influence all pedal guitars. He developed his own tuning technique.
  • In 1948, Speedy was working at Murphy's Club, locted in the skidrow area of Los angeles, when he first met Jimmy Bryant. Jimmy was working down the street from Murphy's, at the Fargo Club. One night Jimmy came to see Speedy play and said to him: "I really like your playing -- why don't you come down to the Fargo Club and dig me". Speedy was so impressed by Bryant's talent that he said, "he couldn't believe what he was hearing". That was the beginning of their long professional and personal relationship.
  • In the spring of 1948, Spade Cooley, who had a 23-piece western swing band that included a full horn section, hired Speedy. At the time, Cooley also hosted the Hoffman Hayride TV variety show, broadcst by KTLA on Saturday nights, in addition to playing various dance jobs. Speedy's job with Cooley lasted only 5 months. Cooley's erratic behavior caused him to repeatedly fire and then attempt to rehire several band members, only Speedy chose not to accept an offer of being rehired after he fell victim to one of his tirades.
  • After Cooley, Speedy played at the Riverside Rancho in the Shambrock Cowboys band. It was about this time that friends familiar with the talents of Speedy, introduced him to Cliffie Stone, assistant A&R man for Capitol Records.
  • Speedy's first recording session was with Eddie Kirk who sang "Candy Kisses".
  • Beginning in early 1949, Speedy worked full time doing recording sessions. One of the first lessons he learned was to play "commercial", and produce the sound expected by the producer. Speedy learned very quickly that he would not be able to develop his potential for session work if he continued to focus on his own style and try to dazzle everyone with his own talent.

    SPEEDY WEST SpWestOutside
  • Speedy joined the Hank Penny western swing band in early 1949, where he was allowed to be more creative in his playing.
  • Late 1949, Speedy left Penny when he was hired by Cliffie Stone for his daily radio program, Dinner Bell Round-Up, as well as Cliffie's Saturday night dances at El Monte Legion Stadium. Like Penny, Cliffie Stone allowed and encouraged Speedy, as well as other band members, to be creative and expand their talents as much as possible. Many performers launched their careers with the help of Cliffie Stone's Hometown Jamboree, such as, Tennessee Ernie Ford, Merle Travis, Eddie Kirk, and many others.
  • In December 1949, Cliffie Stone took his show to TV. The shows were broadcast over KLAC-TV from 7-8 PM on Saturdays, live from El Monte, and were known as the Hometown Jamboree. After the TV broadcast, the band played for an hour of dancing before they took to the air again for a second Hometown Jamboree over KXLA radio.
  • While at Hometown Jamboree, Speedy received a lot of encouragement from Merle Travis, who was also a member of Hometown. Merle suggested that in order to promote his name recognition more, Speedy should have Bigsby make him a nameplate for the front of his pedal steel. Bigsby crafted a Birdseye maple panel that snapped onto the front legs with Speedy's name on the front. Merle Travis also took many opportunities to promote Speedy when he would be on tour in various parts of the country.
  • Leo Fender also contributed a lot toward Speedy's success, as well as many other musicians. Leo not only provided the musical equipment, but also would make himself available on location at some of the dances and shows, with the tools and equipment necessary to service the musicians' instruments.
  • In 1950, Speedy's steel guitar career and reputation were given a major boost following a recording session with Tennessee Ernie Ford and Kay Starr. The songs recorded were "I'll Never Be Free" and "Ain't Nobody's Business But My Own", and both reached the top hits on country charts as well as the pop field. Ernie and Kay had offers to appear around the country, including the Grand Ole Opry in 1950. Speedy and his Bigsby were also along.
  • Because of his style of playing on "I'll Never Be Free", Speedy landed an instrumentalist contract with Capitol. He did his first session in January 1951, with Bryant accompanying him. This was the beginning of the West/Bryant recordings that resulted in making their style very well known and recognizable, not only on the west coast, but internationally as well. Copies of their records have become valuable collectors' items today.
  • Speedy and Bryant's outstanding work on Tennessee Ernie's hit records led to increasing session work for them beyond Capitol, the daily Dinner Bell Roundup radio show over KXLA, and the Hometown Jamboree. Much of the session work was with Capitol artists and Hometown performers, such as, Gene O'Quinn, Merrill Moore, Cliffie Stone, Molly Bee and Bucky Tibbs. Some other artists they recorded with were: Sheb Wooley, Johnny Horton, Wade Ray, Johnny Bond, Roy Rogers and Dale Evans, Doye O'Dell, Gene Autry, Sons of the Pioneers, and many others. Speedy also credits both Lee Gillette and Ken Nelson, A&R men with Capitol, for encouraging their innovative and creative style of playing.

    SPEEDY WEST SpWestSteelYwCoat
  • Between 1950 and 1955, Speedy (with and without Bryant) played on over 6,000 recordings with a total of 177 different artists. Some of those artists include Frankie Laine, Jo Stafford, and Paul Weston's Orchestra, Billy May's Orchestra, Betty Hutton, Helen O'Connell, Doris Day, Johnnie Ray, Ella Mae Morse, Spike Jones, Jean Shepard, Bing Crosby, Frank Sinatra and many others. Mitch Miller, A&R man for Columbia Records, was so impressed by Speedy's playing on Frankie Laine's 1951 recording of "Hey Good Lookin" that he paid him double on that session as well as future sessions.
  • In the mid-1950's Speedy helped Bobby Bare get started in show business. He first met him following Bobby's trip to L.A. via hitchhiking and riding rail cars. Bobby presented himself as a songwriter when he came to KXLA radio station. He asked Speedy to listen to some songs he had written. They both went to Studio B at the station where Bobby sang several songs. Speedy told him he should record them himself. Bobby stayed with Speedy for several weeks during which time they went to Bakersfield to record some demo dubs. Speedy started promoting them to various record companies. As a result Ken Nelson at Capitol Records signed him up as an artist. Bobby then recorded four songs with Speedy's band on Capitol.
  • Also in the early 1950's, Speedy appeared in three Western movies, while still working the daily Hometown show at KXLA, plus the Saturday night show and dance.. During this time, he continued to work on recording sessions. He also landed a guest spot on Red Foley's ABC-TV show, "Ozark Jubilee", from Springfield MO, in addition to a TV show hosted by bandleader Bob Crosby. He enjoyed another guest spot on Lawrence Welk's very popular ABC-TV show, plus Dinah Shore's NBC Chevrolet Show.
  • Speedy and Jimmy Bryant's final recording session for Capitol, as a team, occurred October 9, 1956, however, Speedy's contract with Capitol was renewed and he continued to record, as a single, until 1962.
  • With the onset of rock and roll, the music scene involving Capitol and Hometown Jamboree began to decline. In addition, Cliffie Stone was occupied full-time managing Tennessee Ernie, whose career was exploding with the release of Merle Travis's Sixteen Tons plus beginning his prime time TV show on NBC.
  • Speedy changed equipment in 1957 to a Fender 1000 pedal steel. He sold his Bigsby, which he later regretted because of its historical value.
  • The Hometown Jamboree was cancelled in 1959 after which Speedy and other Hometown musicians started working the Las Vegas/Reno/Lake Tahoe club circuit. Their group was Billy and the Kids, featuring Billy Strange, Merrill Moore, the Black Sisters and Speedy.
  • In the spring of 1960, Speedy was asked to report to a small studio in L.A. where an unknown singer from Washington and her husband were to arrive to record. The singer turned out to be Loretta Lynn and husband, Mooney. Impressed with her voice, Speedy suggested that they release the musicians in the studio and hire some capable studio pickers and rent a better studio. He rounded up some of the Hometown people he had recorded with for years, such as Roy Lanham, Harold Hensley, Roy Harte and Billy Liebert. Speedy also suggested that Loretta overdub harmonies on her original song, Honky Tonk Girl, an idea that he borrowed from Patti Page.
  • The opportunities no longer available for country musicians in the L.A. area, Speedy made arrangements to go to work for Fender Musical Instruments as manager of their warehouse in Tulsa, OK. He moved to Tulsa in September, 1960.
  • After moving to Tulsa, Speedy continued to play steel guitar, although not full time because of his employment with Fender. He had his own band for several years and played at various locations in the Tulsa area for dances, special events, etc. He had many opportunities to travel around the United States and abroad, performing on behalf of Fender as well as appearing at several universities.
  • In 1963, the LeGarde Twins invited Speedy to Australia. While in that country for 44 days, he performed on the Twins' country TV shows, as well as appearances at various events, TV and radio stations.
  • In 1967, Speedy traveled to Japan to represent Fender at the International Trade Fair. While in that country, he also performed for various other events.

    SPEEDY WEST SpWestPlaqueClr
    Speedy looking at the International Guitar Hall of Fame plaque
    at his home in Oklahoma.
  • Source : http://www.rockabillyhall.com/SpeedyWest1.html
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    MessageSujet: Re: SPEEDY WEST   SPEEDY WEST EmptyVen 27 Juin 2008, 23:15

    Speedy West - Steel Guitar Rag (Promo 45)


    Steel Guitar Rag
    written by Merle Travis, Cliffie Stone, & Leon McAuliffe
    performed by Speedy West with Cliffie Stone & His Hometown Hepsters
    issued in November 1953 as Capitol F2620




    WESLEY TUTTLE: Yodeling Boogie (1950)
    featuring SPEEDY WEST


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    MessageSujet: Re: SPEEDY WEST   SPEEDY WEST EmptyVen 27 Juin 2008, 23:18

    Jimmy Bryant & Speedy West in the Band


    Jimmy Bryant & Speedy West backing Tennessee Ernie Ford
    on Kissing Bug Boogie
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    MessageSujet: Re: SPEEDY WEST   SPEEDY WEST EmptyVen 27 Juin 2008, 23:23

    SPACE : Cliquez sur l'image !


    SPEEDY WEST L_4bc3c09cfe8ab5ac049685c3d2e0ad06
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    MessageSujet: Re: SPEEDY WEST   SPEEDY WEST EmptyVen 27 Juin 2008, 23:28

    SPEEDY WEST West_speedy

    SPEEDY WEST West_sp

    Steel guitariste US né Wesley Webb West, le 25 janvier 1924. Speedy West est décédé le 15 novembre 2003 à Broken Bow (Oklahoma).

    Talents : Steel Guitar, Composer
    Style musical : Traditional Country, Instrumental Country


    OLD JOE CLARK SPEEDY WEST Speaker (with Jimmy Bryant)
    SLEEP WALKER'S LULLABY SPEEDY WEST Speaker (with Jimmy Bryant)
    YODELING GUITAR SPEEDY WEST Speaker (with Jimmy Bryant)
    SPEEDY WEST Radio
    Années en activité :

    191020304050607080902000
    DISCOGRAPHIE
    78 t., Singles & EP

    194978 t. KING 795 (US)Hillbilly Bebop / Sweet Talkin' Mama
    1950 ?SP CAPITOL 966 (US)Speddy WEST & Cliffie STONE - Steel Strike / Twilight Time In Texas
    1950SP CAPITOL 1275 (US)Bryants' Boogie / Leetie Juan Pedro (Jimmy BRYANT)
    1951SP CAPITOL 1464 (US)Stainless Steel / Railroadin'
    1951SP CAPITOL 1765 (US)Liberty Bell Polka / T Bone Rag (Jimmy BRYANT)
    1951SP CAPITOL 1805 (US)Hubcap Roll / Truck Drivers Ride
    1951SP CAPITOL 1991 (US)Roadside Rag / Crackerjack
    1952SP CAPITOL 2160 (US)Midnight Ramble / Georgia Steel Guitar
    1952SP CAPITOL 2310 (US)Comin' On / Pickin' The Chicken (Jimmy BRYANT)
    1953SP CAPITOL 2444 (US)Speedy WEST & Jimmy BRYANT - Bryant's Bounce / Serenade To A Frog
    1953SP CAPITOL 2448 (US)Lover Man / Pennies From Heaven
    1953SP CAPITOL 2519 (US)Speedy WEST & Jimmy BRYANT - Speedin' West / Skiddle Dee Boo
    1953SP CAPITOL 2620 (US)Speddy WEST & Cliffie STONE - Steel Guitar Rag / One Rose
    1953SP CAPITOL 2675 (US)Speedy WEST & Jimmy BRYANT - Sunset / This Ain't The Blues
    1954SP CAPITOL 2762 (US)Speedy WEST & Jimmy BRYANT - Jammin' With Jimmy / Hometown Polka
    1954SP CAPITOL 2964 (US)Speedy WEST & Jimmy BRYANT - Stratosphere Boogie / Deep Water
    1954SP CAPITOL 2982 (US)Speedy WEST & Jimmy BRYANT - Bustin' Thru / Our Paradise
    1954EP CAPITOL EAP-1-520 (US)SPEEDY WEST Wanted.jpegSpeedy WEST & Jimmy BRYANT - 2 GUITARS COUNTRY STYLE
    1954EP CAPITOL EAP-2-520 (US)SPEEDY WEST Wanted.jpegSpeedy WEST & Jimmy BRYANT - 2 GUITARS COUNTRY STYLE
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    MessageSujet: Re: SPEEDY WEST   SPEEDY WEST EmptyVen 27 Juin 2008, 23:28

    1955SP CAPITOL 3026 (US)Speedy WEST & Jimmy BRYANT - West Of Samoa / Flippin' The Lid
    05/1955SP CAPITOL 3131 (US)Speddy WEST & Cliffie STONE - Popcorn Song / Barracuda SPEEDY WEST Speaker
    1955SP CAPITOL 3150 (US)Speedy WEST & Jimmy BRYANT - Cotton Pickin' / Sleepwalkers Lullaby
    1955SP CAPITOL 3206 (US)Stealin' Moonlight / Caffeine Patrol
    1955SP CAPITOL 3208 (US)Speedy WEST & Jimmy BRYANT - Steelin' Moonlight / Caffeine Patrol
    1955SP CAPITOL 3276 (US)Speedy WEST & Jimmy BRYANT - Frettin Fingers / Chatterbox
    1956SP CAPITOL 3348 (US)Speedy WEST & Jimmy BRYANT - Shuffleboard Rag / Yankee Clover
    1956SP CAPITOL 3454 (US)Speedy WEST & Jimmy BRYANT - Pickin' Peppers / Pushin' The Blues
    1956SP CAPITOL 3537 (US)Speedy WEST & Jimmy BRYANT - Water Baby Blues / Sand Canyon Swing
    1957SP CAPITOL 3635 (US)Speedy WEST & Jimmy BRYANT - Night Rider / Rolling Sky
    1957SP CAPITOL 3669 (US)Shawnee Trot / On The Alamo
    1958EP CAPITOL EAP 1-956 (US)SPEEDY WEST Wanted.jpegWEST OF HAWAII
    1960EP CAPITOL EAP-1-1314 (US)SPEEDY WEST Wanted.jpegSpeedy WEST & Jimmy BRYANT - COUNTRY CABIN JAZZ
    1967SP IMPERIAL 66219 (US)ORVILLE & IVY - Shinbone / Tabasco Road (ORVILLE = Speddy West / IVY = Jimmy BRYANT)
    1967SP IMPERIAL 66249 (US)ORVILLE & IVY - Please Pass The Biscuits / Slow Poke(ORVILLE = Speedy WEST / IVY = Jimmy BRYANT)
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    MessageSujet: Re: SPEEDY WEST   SPEEDY WEST EmptyVen 27 Juin 2008, 23:29

    Albums

    1954LP 12" CAPITOL H-520 (F)SPEEDY WEST Wanted.jpegSPEEDY WEST & JIMMY BRYANT - Hop, Skip And Jump / Old Joe Clark / Blue Bonnet Rag / Low Man On A Totem Pole Country Capers / This Is Southland / Arkansas Traveller / Swingin' On The Strings
    1954LP 12" CAPITOL T-520 (US)SPEEDY WEST Wanted.jpeg2 GUITARS COUNTRY STYLE - (Speedy WEST & Jimmy BRYANT)
    1954LP 12" CAPITOL 1550/751 (F)SPEEDY WEST Wanted.jpeg2 GUITARS COUNTRY STYLE - (Speedy WEST & Jimmy BRYANT)
    1958LP 12" CAPITOL T-956 (US)SPEEDY WEST Wanted.jpegWEST OF HAWAII
    1960LP 12" CAPITOL T-1314 (mono) / ST-1314 (stereo) (F)SPEEDY WEST Wanted.jpegCOUNTRY CABIN JAZZ - (Speedy WEST & Jimmy BRYANT)
    1960LP 12" CAPITOL T-1341 (US)SPEEDY WEST Capitol_1341STEEL GUITAR - Speedin' West / Railroadin' / West of Samoa / Caffeine Patrol / Our Paradise / Flippin' The Lid / This Ain't The Blues / Stainless Steel / Steelin' Moonlight / Truck Drivers Ride / Sunset / Steel Strike
    1962LP 12" CAPITOL T-1835 (US)SPEEDY WEST Wanted.jpegGUITAR SPECTACULAR
    197?LP 12" VINTAGE 8 (US)SPEEDY WEST Wanted.jpegGUITAR SPECTACULAR
    197?LP 12" VINTAGE 9 (US)SPEEDY WEST Wanted.jpegWEST OF HAWAII
    197?LP 12" VINTAGE 10 (US)SPEEDY WEST Wanted.jpegSTEEL GUITAR - Speedin' West / Railroadin' / West of Samoa / Caffeine Patrol / Our Paradise / Flippin' The Lid / This Ain't The Blues / Stainless Steel / Steelin' Moonlight / Truck Drivers Ride / Sunset / Steel Strike
    1984LP 12" PATHE MARCONI 155 0831 (F)SPEEDY WEST Pm_08312 GUITARS COUNTRY STYLE - (Speedy WEST & Jimmy BRYANT) - Serenade To A Frog / Georgia Steel Guitar / Bryant's Bounce / Midnight Ramble / Hop, Skip And Jump / Blue Bonnet Rag / Low Man On A Totem Pole / Old Joe Clark / Country Capers / This Is Southland / Swingin' On The Strings / Arkansas Traveler
    1987LP 12" STETSON HAT 3045 (UK)SPEEDY WEST Wanted.jpegSTEEL GUITAR - Speedin' West / Railroadin' / West of Samoa / Caffeine Patrol / Our Paradise / Flippin' The Lid / This Ain't The Blues / Stainless Steel / Steelin' Moonlight / Truck Drivers Ride / Sunset / Steel Strike
    1987LP 12" STETSON HAT 3093 (UK)SPEEDY WEST Wanted.jpegGUITAR SPECTACULAR
    1989LP 12" SEE FOR MILES 249 (UK)SPEEDY WEST Wanted.jpegSTEEL GUITAR FROM OUTER SPACE
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    MessageSujet: Re: SPEEDY WEST   SPEEDY WEST EmptyVen 27 Juin 2008, 23:34

    1990LP 12" STEP ONE SOR-0062 (US)SPEEDY WEST So_0062FOR THE LAST TIME - (Speedy WEST & Jimmy BRYANT) - Moonlight Valley / Boogie Man / West Is Calling / On The Move / Speedy Recovery / Chase / Wound Tight / Jumpin' Jeepers / Rolling Sky / Lazy Guitar
    05/1995CD RAZOR & TIE 82067 (US)STRATOSPHERE BOOGIE - THE FLAMING GUITAR OF SPEEDY WEST & JIMMY BRYANT - Stratosphere Boogie / Blue Bonnet Rag / Cotton Pickin' / Old Joe Clark / Sleepwalker's Lullaby / Arkansas Traveler / The Night Rider / Low Man On A Totem Pole / Speedin' West / Comin' On / Bryant's Bounce / Midnight Ramble / Pickin' Peppers / Shuffleboard Rag / Bustin' Thru / Flippin' The Lid
    05/19974 CD BEAR FAMILY BCD 15956 (D)SPEEDY WEST Bf_15956FLAMIN' GUITARS - (Speedy WEST & Jimmy BRYANT) :



    CD 1 : Jelly Beans Daddy / Just Remember / Boogie Barn Dance / Gamblin' Money / Steel Strike / Bryant's Boogie / Red Headed Polka / Railroadin' / Stainless Steel / Hub Cap Roll / T-Bone Rag / Truck Driver's Ride / Liberty Bell Polka / Crackerjack / Bryant's Shuffle / Roadside Rag / Yodeling Guitar / Georgia Steel Guitar / Pickin' The Chicken / Midnight Ramble / Comin' On / Lover / Skiddle-Dee-Boo / Serenade To A Frog / Bryant's Bounce / Opus I / Whistle Stop / Speedin' West / Hometown Polka / This Ain't The Blues
    CD 2 : Jammin' With Jimmy / Two Of A Kind / Sunset / Steel Guitar Rag / Swingin' On The Strings / Old Joe Clark / This Is Southland / Arkansas Traveler / Blue Bonnet Rag / Hop, Skip And Jump / Country Capers / Low Man On A Totem Pole / Sleep Walker's Lullaby / Our Paradise / Cotton Pickin' / Bustin' Thru / Flippin' The Lid / Deep Water / Stratosphere Boogie / West Of Samoa / Shuffleboard Rag / Steelin' Moonlight / Caffeine Patrol / Yankee Clover / Pickin' Peppers / Chatter Box / Frettin' Fingers / Pushin' The Blues / Sand Canyon Swing / Water Baby Blues / Shawnee Trot
    CD 3 : On The Alamo / Rolling Sky / The Night Rider / Hillcrest (Opus 3) / China Boy / China Boy / Hawaiian War Chant / Song Of The Islands / On The Beach Of Waikiki / My Tane / Drifting And Dreaming (Sweet Paradise) / My Little Grass Shack In Kealakekua, Hawaii / Sweet Hawaiian Chimes / Blue Hawaii / Yaaka Hula Hickey Dula / The Moon Of Manakoora / Ka-Lu-A / Luna / Reflections From The Moon / Space Man In Orbit / Lazy Summer Evening / Double Or Nothing / Afternoon Of A Swan / Wild And Woolly West / Rippling Waters / Totem Pole Dance / Slow And Easy / Speedy's Special / Sunset At Waikiki / Tulsa Twist
    CD 4 : Candy Kisses (Eddie KIRK) / Ain't Nobody's Business But My Own (Kay STARR & Tennessee Ernie FORD) / I'll Never Be Free (Kay STARR & Tennessee Ernie FORD) / Wild Card (Tex WILLIAMS) / Okie Boogie (Ella Mae MORSE) / Down South (John SPIKE) / I've Turned A Gadabout (John SPIKE) / Stop Your Gamblin' (John SPIKE) / There's A Blue Sky Way Out Yonder (John SPIKE) / Okie Boogie (Ella Mae MORSE) / Twice The Lovin' (In Half The Time) (Jean SHEPARD) / Crying Steel Guitar Waltz (Jean SHEPARD) / Nobody Else Can Love You Like I Do (Jean SHEPARD) / Keep It A Secret (Jean SHEPARD) / Y'All Come (Bing CROSBY) / Under The Double Eagle (John SPIKE) / Hot Lips (John SPIKE) / Hotter Than A Pistol (John SPIKE) / Keystone Kapers (Bag Of Rags) (John SPIKE) / Whistle Stop (Billy MAY) / This Must Be The Place (Betty HUTTON & Tennessee Ernie FORD) / The Boys In The Backroom (John SPIKE)
    03/1999CD RAZOR & TIE 82192 (US)SWINGIN' ON THE STRINGS - (Speedy WEST & Jimmy BRYANT) - Frettin' Fingers / Lover / Two Of A Kind / Yodeling Guitar / West Of Samoa / Opus 1 / Truck Driver's Ride / T-Bone Rag / Skiddle-Dee-Boo / China Boy / Railroadin' / Jammin' With Jimmy / Deep Water / This Ain't The Blues / Rolling Sky / Whistle Stop / Hillcrest (Opus 3) / Pushin' The Blues / Swinging' On The Strings / Caffeine Patrol
    11/2000CD JASMINE 3515 (UK)SPEEDY WEST Jasmine_3515THERE'S GONNA BE A PARTY - (Speedy WEST & Jimmy BRYANT) - Lover / Blue Bonnet Rag / There's Gonna Be A Party For The Old Folks / Tag Along / Birth Of The Blues / Missouri Waltz / Speedin' West / Indian Love Call / Cracker Jack / Limehouse Blues / Arkansas Traveler / Whistle Stop / T-Bone Rag / Sleepwalker's Lullaby / Two of a Kind / Country Capers / Honolulu / I Love You So Much It Hurts / This Ain't The Blues / Texas Playboy Rag / Kentucky Waltz / Flippin' The Lid / Let The Rest Of The World Go By / Railroadin' / I'm Confessin' (That I Love You) / Skiddle-Dee-Boo / Hop, Skip And Jump / Snow Deer / Dragging The Steel / Comedy With Tennessee Ernie Ford
    02/2005CD JASMINE 3537 (UK)SPEEDY WEST Wanted.jpegTRAVELLIN' FROM GEORGIA TO WEST OF SAMOA
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